“Semi-Human Robot Trapped In The Machine” Music

Some time back, Six talked about his love for a little known genre of music he called “shred” metal. I’ve been thinking of one of my own beloved sub-genres, although I don’t even know if it has a name. Concentrated around the years 1979-1981, this music’s hallmarks are robotic (though not electronic) drumming, and cold vocals. My best description would be “semi-human robot trapped in the machine” music. Representative of this made-up genre would be The Cure‘s “Seventeen Seconds” (1980) and “Faith” (1981) records, Gary Numan‘s “Replicas” (1979)*, and probably all of Joy Division. I don’t know why I like it so much. I was about 15 when most of it came out, so that could explain a lot. While some (most) might find the beat monotonous, I find it hypnotic. And strangely enough, when music like this was made outside of this time period, it generally sucked (witness anything post-“Replicas” by Gary Numan). Also, it can’t be too self-conscious or campy; therefore, while I like Kraftwerk, they don’t quite fit in here. Of course, I like lots of music, and this stuff sometimes still seems like a childish indulgence, but whenever I hear the intro to The Cure‘s “A Forest,” I’m hooked. I guess it was my generation’s version of Goth music. Dark, cold, creepy, but with a heart beating somewhere underneath. Perfect for describing teenagers.

You’ll notice I’m still struggling to define a proper weblog “style” guide. I think I’m going to settle on BOLD for Artists/Authors, and “QUOTES” around the titles of books/musical releases. Is there something official somewhere? Use the Comments link to tell me.

* I took a theatre class in Grade 10 and for one exercise, I made an “alien” mask and pranced around to Gary Numan‘s “I Nearly Married a Human.” Thank God there’s no evidence.

More Interesting Blogfolk

I’ve been discovering more interesting blogfolk lately. Denise and Dinah are both very nice people with interesting weblogs. I’m adding both of them to my links. And Tom included me in his celebrity trash-digging, which is nice, actually.

I finally found:

  • PJ Harvey – Stories from the City, Stories from the Sea ($16.99)

I really really want to like this CD. I’ve been a big fan since the beginning (I paid $30 for her first CD, Dry, when it was only available on import from the UK), but she’s lost me as she’s drifted away from simple guitar and voice arrangements. This is better than her last, but still not up there with Dry or Rid of Me. I’m hoping it grows on me. She’s really decided to go with a whole Patti Smith sound. One thing that’s always bugged me is when non-American musicians try to adopt American music. U2’s Rattle and Hum still annoys me for this reason, and I’m hoping I can learn to like PJ again.

Hornby on Kid A

From the October 30 New Yorker, Nick Hornby (author of High Fidelity) on Radiohead’s Kid A: “Nobody is asking Radiohead not to grow, or change, or do something different. It would be nice, however, if the band’s members recognized that the enormous, occasionally breathtaking gifts they have–for songwriting, and singing, and playing, and connecting, and inspiring–are really nothing to be ashamed of. In fact, they might even come in handy next time around.”

Purchased:

  • U2 – All That You Can’t Leave Behind ($13.99)
  • DVD – American Beauty ($21.99)