The Pervert’s Guide to Cinema

The Pervert's Guide to Cinema

The Pervert’s Guide to Cinema (UK/Austria/Netherlands, director Sophie Fiennes): Not as salacious as it sounds, this is a three-part documentary (each episode is 50 minutes) featuring Slovenian superstar philosopher/psychoanalyst Slavoj Zizek. Zizek takes us on a journey through many classic films, exploring themes of sexuality, fantasy, morality and mortality. It was directed by Sophie Fiennes, of the multi-talented Fiennes clan (she’s sister to actors Ralph and Joseph).

I enjoyed this quite a bit, although I think it will be even more enjoyable on DVD, since there is such a stew of ideas to be digested. Freudian and Lacanian analysis can be pretty heavy going and seeing the whole series all at once became a bit disorienting by the end of two and a half hours. It didn’t help that an ill-advised coffee and possession of a bladder led me to some discomfort for the last hour or so.

My only real issue with this is that Zizek picked films that were quite obviously filled with Freudian themes. He spends quite a bit of time on the films of Hitchcock and David Lynch, not exactly masters of subtlety. I would have liked to see him try to support his theories by using a wider range of films, although that’s really just me saying I’d like to see part four and five and six.

Zizek is very funny, and part of the humour was watching him present what amounted to a lecture while inserting himself into the actual scenes from some of the films he’s discussing. So, for instance, we see him in a motorboat on his way to Bodega Bay (from Hitchcock’s The Birds) or sitting in the basement of the Bates Motel (from Psycho). Which is not to say that his theories are not provocative. Even when I found myself disagreeing with him, it definitely made me think a little more deeply about the films. Which is exactly what he’s trying to accomplish.

Visit the film’s web site

8/10(8/10)

TIFF 2006: Final Schedule

When I dropped off our picks, we were in box 17 and the randomly-drawn starting box was 22. There were 40 boxes in all, so that meant we were in the 36th of 40 boxes. Bad news. Brooke got all ten of her films, which only figures. My friend Jay only got 3 of his 9 films (he got two tickets to one, though). I managed to get half of my ten choices. So, after more than three hours of lining up and lining up again this morning, here is my final schedule for this year. I only missed out on three films, since I was able to get tickets to alternate screenings for two others:

  • Saturday September 9, 12:15pm: The Pervert’s Guide to Cinema (UK/Austria/Netherlands, Director: Sophie Fiennes)
  • Sunday September 10, 3:45pm: The Host (South Korea, Director: Bong Joon-ho)
  • Sunday September 10, 6:30pm: Offside (Iran, Director: Jafar Panahi)
  • Monday September 11, 5:30pm: The Way I Spent the End of the World (Romania, Director: Catalin Mitulescu)
  • Tuesday September 12, 8:15pm: The Sugar Curtain (France/Spain, Director: Camila Guzmán Urzúa)
  • Thursday September 14, 5:30pm: Blindsight (UK, Director: Lucy Walker)
  • Thursday September 14, 9:00pm: Exiled (Hong Kong, Director: Johnnie To)
  • Friday September 15, 6:15pm: El Ratón Pérez (The Hairy Tooth Fairy) (Argentina/Spain, Director: Juan Pablo Buscarini)
  • Saturday September 16, 11:45am: Glue (Argentina/UK, Director: Alexis Dos Santos)
  • Saturday September 16, 4:30pm: Lake of Fire (USA, Director: Tony Kaye)
  • Saturday September 16, 9:00pm: Lights in the Dusk (Finland/Germany/France, Director: Aki Kaurismäki)

9/15/06: I dropped Glue and picked up El Ratón Pérez (The Hairy Tooth Fairy), due to the Waking City game which starts tomorrow. As well, Brooke’s seeing the film tonight and wanted me to go with her.

TIFF 2006: Early Picks

For the past two days, I’ve been working my way through the 440 pages of the programme book and have figured out ten films I’d like to see that fit into my schedule:

  • Saturday September 9, 2:30pm: The Way I Spent the End of the World (Romania, Director: Catalin Mitulescu)
  • Saturday September 9, 6:15pm: Indigènes (France, Director: Rachid Bouchareb)
  • Sunday September 10, 12:30pm: The Sugar Curtain (France/Spain, Director: Camila Guzmán Urzúa)
  • Sunday September 10, 3:45pm: The Host (South Korea, Director: Bong Joon-ho)
  • Sunday September 10, 6:30pm: Offside (Iran, Director: Jafar Panahi)
  • Tuesday September 12, 7:00pm: Renaissance (France/Luxembourg/UK, Director: Christian Volckman)
  • Thursday September 14, 5:30pm: Blindsight (UK, Director: Lucy Walker)
  • Friday September 15, 7:45pm: D.O.A.P. (UK, Director: Gabriel Range)
  • Saturday September 16, 4:30pm: Lake of Fire (USA, Director: Tony Kaye)
  • Saturday September 16, 9:00pm: Lights in the Dusk (Finland/Germany/France, Director: Aki Kaurismäki)

The next step is to hand in our choices (I’m splitting a 30-coupon book with my wife Brooke and my friend Jay) tomorrow morning and then pick up our tickets next Monday. If we don’t get all our choices, I have a few second choices up my sleeve. But I’m crossing my fingers we’ll get everything.

TIFF 2006: Preliminaries

It’s almost that time of year again. From September 7-16, Toronto is taken over by celebrities and celebrity hounds, partying into the wee hours and clogging up Yorkville with their bling. Oh, and they show a few films as well.

I’ll be attending for the 12th year, though I’m only seeing ten films again. Without taking vacation time off work (which I’m saving for our trip to Slovenia just after the festival ends), ten is about the limit for me.

I was a little bit excited for about thirty seconds when I saw that the official TIFF web site is offering a feature called “Your Blogs”. That is, until I read part of the lengthy terms and conditions:

You grant to the Toronto International Film Festival Group and its parents, subsidiaries, affiliates, employees, officers, directors, representatives, partners, and agents (collectively, “TIFFG”), a perpetual, royalty-free, transferable, irrevocable right to reproduce and/or quote from the original content that is placed on your blog or that you submit to the Toronto International Film Festival’s website. In addition, you waive in favour of TIFFG, all moral rights you may have in or to your content. TIFFG reserves the right to alter, edit, and/or delete any submissions you make to Your Blogs.

Uh, no thanks. Instead, I’ll be posting my reviews here as always, and cross-posting them to TIFFReviews, a site which has been covering the festival since 2004.

The complete film list was released yesterday, so now comes the hard job of deciding what to see and when to see it. If I’m careful, I might just be able to avoid anyone famous.