list – Consolation Champs

Best Music of 2024

UPDATE: Here are some playlists with a selection of great songs from the year. Why not check them out? (P.S. Tidal pays artists way more than Spotify. Please use Tidal if you can!)

In last year’s post, I said, “Especially right now, when the world seems to be in flames all around us, it’s comforting and even inspiring to know that great music is still being made.” That’s even more true now as the trend toward fascism and oppression gains even more sickening pace. It might seem frivolous to spend so much time listening to music, but it’s truly a survival tactic for me and maybe for you, too. So, with that in mind, here are some words about some of the music that helped me during 2024. First a top ten, then an unranked 11-25, then another unranked 26-50. Here’s a YouTube playlist with a song from each of the Top Ten:

Here we go (asterisks indicate an artist with Canadian bona fides and a bold L means I’ve seen the band live in 2024):

1. *Ducks Ltd. (L) – Harm’s Way

I’m so proud of these hometown janglers. For their second album, they decamped to Chicago to work with members of Ratboys and Dehd, and the results are excellent. Even though this came out last February, its songs have had staying power and its spot at or near the top of this year’s list was never really threatened. I appreciated the continuity of uptempo jangle songs like “The Main Thing” but also that the band stretched into new musical territory, like the melancholy closer “Heavy Bag.” Seeing the band live again also brought these songs to life. If the Ducks come to your town, I highly recommend that you obtain some tickets!

2. MJ Lenderman – Manning Fireworks

Still just 25 years of age, MJ Lenderman entered my peripheral vision a few years ago with his album Boat Songs. I loved the combination of humourous lyrics and guitar hooks on songs like “Hangover Game,” but I didn’t spend a lot of time with that record. This year’s Manning Fireworks didn’t really register until about a month ago when I began to see it popping up on Best of 2024 lists. Mark Jacob Lenderman is having quite a year, it seems. He plays guitar in the band Wednesday, and also guests with Waxahatchee. He sings backup and plays guitar on one of Waxahatchee‘s best songs from this year, “Right Back To It.” As a songwriter, Lenderman has a remarkable gift for combining memorable music with lyrics that are both funny and poignant. On “Wristwatch,” he’s the kind of sympathetic loser who might have been writing a song about his Bluetooth headset about 15 years ago. “I’ve got a houseboat docked at the Himbo Dome, and a wristwatch that’s a pocket knife and a megaphone, and a wristwatch that tells me I’m on my own.”

3. Eggs – Crafted Achievement

This Paris quartet make music that feels like it’s come from somewhere in the American Midwest. Frontman Charles Daneau sings in English, for one, but the music has a sort of nonspecific American indie sound, perhaps from the ’80s or ’90s. I was pleasantly surprised to discover that guitarist Margaux Bouchaudon and saxophonist Camille Fréchou are also members of En Attendant Ana, another of my favourite French bands. Whereas their previous record “A Glitter Year” drew comparisons to the Dunedin indie pop sound, this one has been compared with bands like The Replacements. It’s no coincidence since one of the songs (“Bob Stinson’s Song”) actually pays tribute to the Minneapolis’ band’s departed guitarist.

4. Christopher Owens – I Wanna Run Barefoot Through Your Hair

One half of the late band Girls, Christopher Owens has a dramatic life story. Raised in the Children of God cult, he broke away as a teenager and drifted to California, where he eventually met Chet “JR” White, and they started making music together. Girls released two well-received albums between 2009 and 2011, and were known for their excessive drug use almost as much as for their music. Owens broke up the band in 2012 and got sober in 2014. Unfortunately, White continued to struggle with his addictions and died in 2020. Owens released a few solo albums but then hit a rough patch that lasted several years. He lost his record contract, ended a long term relationship, and was seriously injured in a motorcycle accident. This is his first musical release in nine years, and it feels like a well-earned if unexpected gift. Album opener “No Good” reveals an older, wiser Owens on lines like this: “No, not another love song, not one more song where I’m pretending everything will be okay.” It’s haunting and beautiful, and it’s impossible not to wish Owens a long period of peace and happiness, whether or not he has more music left to share.

5. *Laughing (L) – Because It’s True

Laughing is from Montreal, a city whose music scene continues to thrive. The Wesleys follow in this list at #6. Other bands from that great city that didn’t crack the Top Ten include Feeling Figures and Corridor. There’s definitely something in the water in Montreal, or more likely, the cheaper rents are allowing creatives to thrive without worrying about keeping a roof over their heads. In any case, Laughing has a sweet jangly vibe that’s mixed ever so slightly with something more akin to country or folk. I can hear The Byrds, Dinosaur Jr. and even The Flying Burrito Brothers. It’s notable that all four members take lead vocals, and there is no real frontperson. I’ve seen them live twice now, and the songs are definitely stronger than their live show, but that could be more an indication of the smallness of the rooms they’ve played so far. In any case, Laughing is the real deal.

6. *The Wesleys – The Wesleys

Every year, there seems to be one album that crashes my Top Ten in the final days of the year. I usually see it on some end of year list. It’s almost always something I haven’t encountered at all until then. This year, it was Montreal band The Wesleys, on the 27th of December! Thank you, Exclaim.ca! This hits the perfect sweet spot between jangle pop and garage rock and just has some extra secret sauce that I can’t quite put my finger on. All I can say is that I have been playing the hell out of this one for the past few days. I’m eager for them to return to Toronto to play live. So eager, in fact, that I’ve reached out to them on Instagram. This is an exciting new record that I don’t think I’ve seen on any other lists, so give it a listen and see what you think!

7. *Little Kid – A Million Easy Payments

I was very happy to discover yet another great Toronto band this year. Little Kid have been quietly putting out music for the past 15 years, but apparently so quietly that I hadn’t heard anything until 2024. Centred around the songwriting of Kenny Boothby, Little Kid make music that could be described as folk, but infused with a bruised spirituality that really connects with me and my own experiences with faith. Don’t let that put you off; this stuff is gorgeous no matter how you feel about the lyrics.

8. *Motorists (L) – Touched By The Stuff

I saw Toronto’s Motorists live this year, which made it much easier for me to click with their new album. Three years ago, I’d seen 2021’s Surrounded on a bunch of year-end lists, and it came with a label (“power pop”) that I usually vibe with, but for whatever reason, I didn’t spend much time with it. Since then, I’ve come to really love that album, and so when 2024 brought new music from this trio, I rolled out the welcome mat. Labelling Motorists as power pop is actually pretty limiting. Though there is some jangle, and some harmonies, Touched By The Stuff covers a lot of musical ground in its 12 tracks. To me, this band sounds like a new generation’s Sloan, with maybe a little bit more twang.

9. Blushing – Sugarcoat

I’ve been a fan of the music once denigrated as “shoegaze” (allegedly due to band members being too busy looking at their guitar effects pedals to make eye contact with the audience) ever since the early 1990s, and although there are lots of revivalists plying their trade these days, not many really capture my attention the way that Blushing has over the past few years. The band, who are from Austin, Texas, put out an excellent record called Possessions in 2022, and this year’s Sugarcoat has surpassed it. Just listen to “Tamagotchi” and see if you’re not transported back to the ’90s. Or, if you weren’t around in the ’90s, just enjoy some excellent swirling guitars and great voice harmonies.

10. Mannequin Pussy – I Got Heaven

I first heard the song “I Don’t Know You” from this album and was charmed by its exploration of having a crush on someone. The rest of the album is much more forceful, both musically and thematically. Many reviews call the album “horny” and that’s accurate, as singer Marisa Dabice sings of her desire in songs like “Loud Bark,” “Aching,” and “Split Me Open.” Although I love the hardcore crunch of some of those songs, it’s the delicate and vulnerable lyrics of “I Don’t Know You” that bring me back again and again. “I know a lot of things, I know a lot of things, but I don’t know you.”

Ducks Ltd. - Harm's Way
MJ Lenderman - Manning Fireworks Eggs - Crafted Achievement
Christopher Owens - I Wanna Run Barefoot Through Your Hair Laughing - Because It's True The Wesleys - The Wesleys
Little Kid - A Million Easy Payments Motorists - Touched By The Stuff Blushing - Sugarcoat Mannequin Pussy - I Got Heaven

Notable (Unranked 11-25)

2nd Grade – Scheduled Explosions
The BV’s – Taking Pictures of Taking Pictures
Dancer – 10 Songs I Hate About You
Dummy – Free Energy
*Feeling Figures – Everything Around You
Hannah Frances – Keeper of the Shepherd
*Heaven for Real (L) – Hell’s Logo’s Pink
Jagged Baptist Club – Physical Surveillance
Mo Dotti – Opaque
Mo Troper – Svengali
*Mustafa – Dunya
Nilüfer Yanya – My Method Actor
Split System – Vol. 2
Sprints – Letter To Self
Sharp Pins – Radio DDR

Worthy (Unranked 26-50)

Beige Banquet – Ornamental Hermit
Bermuda Squares – Outsider
*Cindy Lee – Diamond Jubilee
Chime School – The Boy Who Ran the Paisley Hotel
*Corridor – Mimi
The Cure – Songs of a Lost World
*Daniel Romano’s Outfit (L) – Too Hot to Sleep
DIIV – Frog in Boiling Water
Hamish Hawk (L) – A Firmer Hand
Honeyglaze – Real Deal
*Jeremie Albino (L) – Our Time in the Sun
Jim Nothing – Grey Eyes, Grey Lynn
julia – my anti-aircraft friend
Khruangbin – A La Sala
Kim Deal – Nobody Loves You More
Klapper – High for No Reason
Marcel Wave – Something Looming
Negative Gears – Moraliser
Neutrals – New Town Dream
Pleasant Mob – Pleasant Mob
Quivers (L) – Oyster Cuts
Torrey – Torrey
The Umbrellas – Fairweather Friend
Uranium Club – Infants Under the Bulb
Waxahatchee – Tigers Blood

EEPEES

Billy Tibbals – Nightlife Stories
Plexi Stad – Siren Dance
Highschool – Accelerator
*Apollo Ghosts – Amethyst
Nag – Fear
*Accelerant – Accelerant
The Girls – Cuntry Music
Softjaw – Softjaw
Guiding Light – Guiding Light
*Fold Paper – 4TO
Citric Dummies – Trapped in a Parking Garage

Most Anticipated 2025 Releases

Ex-Vöid – In Love Again
The Laughing Chimes – Whispers in the Speech Machine
*Motherhood – Thunder Perfect Mind
*No Frills – Sad Clown
The Tubs – Cotton Crown

As always, music helped me through this year’s highs and lows, reinforcing my belief that music is as essential to my life as food, oxygen, and love.

Just for fun, here are some of my previous lists:

How about you? What were some of your favourites?

Best Music of 2023

UPDATE: Here are some playlists with a selection of great songs from the year. Why not check them out?

Ah, the annual music post. Since I hardly post here anymore, it shouldn’t be so hard, but this post is always the hardest thing to write each year. Yet, when I finish, I’m always very pleased that I’ve said a few things about the music that I enjoyed the most during the past year. Especially right now, when the world seems to be in flames all around us, it’s comforting and even inspiring to know that great music is still being made. Music is such an essential part of my life and my identity, and sharing this post with you (no matter how few of you there might be or where you are in the world) is always worthwhile. So strap in. As always, this will be long.

As always, lists are bunk, especially ranked lists. This year, I’ve decided to just rank my Top Ten, and then include a batch of unranked releases that are still worthy of your time and attention. I hope my post will point you in some new directions, and bring you some of the joy that music brings to me. Here’s a YouTube playlist with a whole bunch of songs from this year’s batch.

Here we go (asterisks indicate an artist with Canadian bona fides and a bold L means I’ve seen the band live in 2023):

1. Mo Troper – Troper Sings Brion – This just came out in November and crashed my Top Ten quite aggressively. I’ve been a fan of Mo’s since discovering his album covering The Beatles‘ Revolver and his 2021 album Dilettante. He’s a bit of a power pop legend and also produces, including Bory‘s debut record, Who’s A Good Boy?, which came out too late for consideration on this year’s list (but which sounds pretty great!). I love the idea of one songwriter paying tribute to another, and the album art goes even further, with its echoes of Harry Nilsson’s 1970 record Nilsson Sings Newman, on which he paid tribute to the songs of the great Randy Newman. Jon Brion is a songwriter with whom I had only a passing familiarity. I know him from his soundtrack work, especially on Paul Thomas Anderson’s film Magnolia (1998). He’s actually a bit of a power pop icon, with one album released under his own name (2000’s Meaningless) and another as part of power pop supergroup The Grays (Ro Sham Bo, from 1994). He played a lot of shows at Los Angeles’ club Largo, and many of the songs on Troper’s album were played live there or recorded as demos (available with a diligent internet search), but never officially released. Troper certainly delivers, with amazing versions of such future classics as “Citgo Sign,” “Love of My Life (So Far),” and “Not Ready Yet.” Mo Troper is emerging as not just an important artist in his own right, but as someone who is a champion for great power pop songwriting, both old and new.

2. Display Homes – What If You’re Right and They’re Wrong? – A very sad story here. Sydney-based Australian band finally release their debut album, but their guitarist dies suddenly. Darrell Beveridge was also a comedian and a food blogger, and his loss means we probably won’t hear any more from this incredibly talented band.

3. Flyying Colours – You Never Know – These Australian shoegazers have been on my radar since their previous release, 2021’s Fantasy Country, and this one surpasses that great album. Might be a longshot, but one can always hope for a North American tour.

4. *Buddie – Agitator – Buddie frontman Daniel Forrest moved from Philadelphia to Vancouver sometime after the pandemic abated, and now we can claim him as a Canadian. This record ranges from rock to power pop, but always oozes sincerity and great songwriting. I’m hoping his newfound Canadian residency means the band will visit Toronto in 2024.

5. Deeper – Careful! – I found Deeper around 2021 and enjoyed their 2020 release Auto-Pain and so you could say I was looking forward to this new one, which does not disappoint. Post-punk hooks aplenty, from a strong Chicago scene which also includes bands like Stuck, whose 2023 album Freak Frequency landed on the “unranked” list.

6. Yves Tumor – Praise A Lord Who Chews But Which Does Not Consume; (Or Simply, Hot Between Worlds) – Never underestimate the power of surprise. Yves Tumor came out of nowhere (at least for me) and knocked me out with a surprising sound reminiscent of TV on the Radio. There’s not much out there right now that sounds like this, challenging and yet filled with hooks.

7. Nation of Language (L) – Strange Disciple – I was very impressed the first time I saw Nation of Language play live, and even more impressed to see them headlining a show at the Phoenix here in Toronto just a few weeks ago. I think it’s because they bring a real emotional warmth to music that can at first listen seem kind of cold and detached. Their fully committed live performances certainly lifted their 2023 album Strange Disciple firmly into my Top Ten. If you get a chance to see this band performing live in your town, definitely take it!

8. TV Party – Psychic Driving – Hailing from Ventura, California, TV Party is notable for the distinctive sound of frontman Jesse Brinkenhoff’s vocals, which seem teleported from the early days of punk. Give these guys a listen!

9. En Attendant Ana – Principia – I really loved this French band’s previous record Juillet which came out in 2020, and at first was a bit underwhelmed with this much anticipated follow up. But as I spent more time with it, it crept (back) into my Top Ten. A highlight is the longer song “Wonder.” Will 2024 bring them to Toronto? I’m crossing my fingers.

10. Hamish Hawk – Angel Numbers – Another surprise. Not sure how I found Hamish Hawk, but this Scottish singer has a unique vocal style and a way with words. “Angel Numbers” refers to the strange sequences of repeated numbers that sometimes pop up in our everyday lives, and to which we somehow want to ascribe deeper meaning. Hamish’s presence on my top ten seems kind of like a strange coincidence, but don’t ignore it. Check out his song “Think of Us Kissing” for a start.

Mo Troper - Troper Sings Brion
Display Homes - What If You're Right and They're Wrong? Flyying Colours - You Never Know
Buddie - Agitator Deeper - Careful! Yves Tumor - Praise A Lord Who Chews But Which Does Not Consume; (Or Simply, Hot Betweeen Worlds)
Nation of Language - Strange Disciple TV Party - Psychic Driving En Attendant Ana - Principia Hamish Hawk - Angel Numbers

Here are a bunch more worthy releases, all unranked. As in the Top Ten above, Canadian bands get an asterisk and a bold L means I’ve seen the band live in 2023.

Unranked But Worthy

Rocky – Rocky
Public Interest – Spiritual Pollution
Stuck – Freak Frequency
Pearly Drops – A Little Disaster
The Tubs – Dead Meat
Public Body – Big Mess
Bully (L) – Lucky For You
Motorbike – Motorbike
Crocodiles – Upside Down in Heaven
Onyon – Last Days on Earth
Snooper – Super Snooper
Echo Ladies – Lilies
Model/Actriz – Dogsbody
Uni Boys – Buy This Now!
Erik Nervous – Immaturity
Hotline TNT – Cartwheel
Beach Fossils – Bunny
Ratboys – The Window
Sweeping Promises (L) – Good Living is Coming for You
*Tough Age – Waiting Here
Spiritual Cramp – Spiritual Cramp
*Home Front – Games of Power
*Vanity Mirror – Puff
White Reaper – Asking for a Ride
feeble little horse – Girl With Fish
The Lemon Twigs – Everything Harmony
Lewsberg (L) – Out and About
The Whiffs – Scratch ‘n’ Sniff
Hard Copy – 12 Shots of Nature

EEPEES

Wombo (L) – Slab (EP)
Gym Tonic – Sanitary Situations (EP)
Cel Ray – Cellular Raymond (EP)
Cel Ray – Piss Park (EP)
Lightheaded – Good Good Great! (EP)
Lifeguard – Dressed in Trenches (EP)
*Natural Light – 2023.I (EP)
*Lavoro – Lavoro (EP)

Best Reissues

The Exploding Hearts – Guitar Romantic

As always, music helped me through this year’s highs and lows, reinforcing my belief that music is as essential to my life as food, oxygen, and love.

Just for fun, here are some of my previous lists:

How about you? What were some of your favourites?

Best Music of 2022

UPDATE: I’ve posted THREE DJ sets where I played 102 songs from my best of 2022, some of which are not mentioned in the post below. Check them out!

Once again, 2022 was a fantastic year for new music, with the added bonus that I got out to see more live shows again. Favourite thing ever was finally seeing Pavement, and at the newly-renovated Massey Hall, no less. An evening of pure joy, and for me a celebration of a band that I’d once avoided seeing live. Their reputation for sloppy live shows has been put firmly behind them, I’m glad to report. Other live highlights were discovering smaller bands who released music this year. Halifax/Toronto’s Heaven for Real and Fredericton’s Motherhood are well worth seeing live, should you get the chance. I also enjoyed Chicago’s Stuck and hope they have new music to share in 2023. And seeing Nation of Language live, with Ducks Ltd., was a big surprise. Despite their “cool” sounding music, the band were a delight to see live, and much more lively and chatty on stage than I expected. And of course, I was able to see my favourite band of the year, No Frills, play a record release party that generated a real feeling of excitement about all the great music being created in my hometown these days. I hope 2023 has even more great live experiences in store.

The longer I try to write about music, the harder it gets. Especially this idea of a year-end list and trying to rank things. I find that I just don’t get enough time with each release to really compare it fairly to other stuff. So, in the way of a lame disclaimer, my Top Ten is here again, with a longer list of (very loosely) ranked releases and some that I haven’t had enough time to sit with to rank but which are definitely worthy.

I hope my post will point you in some new directions, and bring you some of the joy that music brings to me. Here’s a YouTube playlist with a whole bunch of songs from this year’s batch.

Here we go…

1. *No Frills – Downward Dog – I discovered No Frills through another local band connection. I saw that one of my Toronto favourites Ducks Ltd. were playing a DJ set at a release party for No Frills‘ album Downward Dog. In preparation for the show, I bought it on Bandcamp and listened a few times. At first, I wasn’t sure if I was being pranked. The production made it feel like I was listening to a wonky cassette, with the pitch shifting all over the place. It even started off with a gimmicky “Welcome” track. But the songs wormed their way into my brain and wouldn’t let go. Frontman and songwriter Daniel Busheikin wants to come across as a smartass, but his emotional honesty can’t be covered up with clever lyrics or even studio trickery. Despite what seem to be transparent efforts to muddy up the sound, Downward Dog is so clearly a pop record, and an exemplary one at that. “Save the Bees” and “I Don’t Wanna Be Your Dog Anymore” should be on any Best Songs of 2022 playlist, and the rest of the songs are equally fine. Maddy Wilde (Born Ruffians, Rapport)’s sweet backing vocals are especially worthy of note. Oh, and drums are by Jonathan Pappo, who also mans the kit for Ducks Ltd. I wish this record had gotten more attention, but I wonder if the existence of a Canadian grocery store chain with the same name has simply made the band rather invisible. Hopefully it’s not more cleverness as self-deprecation, because this music deserves the largest audience possible.

2. Self Improvement – Visible Damage – Hailing from Long Beach, California, Self Improvement‘s sound is based around the slightly deranged vocals of Jett Witchalls, a transplanted Brit. These are catchy post-punk songs that get in and then get out. The entire 10 songs fly by in 24 minutes, including a twitchy and nearly unrecognisable cover of The Prodigy‘s “Firestarter.”

3. Green/Blue – Paper Thin – Led by Jim Blaha, Minneapolis quartet Green/Blue have been around since 2020, and Blaha himself is a veteran of several bands (The Blind Shake, Jim and the French Vanilla, Shadow in the Cracks). In 2022, they actually released two albums, though I haven’t had the chance to listen to Offering yet. Paper Thin grabbed me right away, though, with leadoff track “In Lies” hitting my sweet spot: a little bit shoegaze, a little bit jangly. Another brisk record (10 tracks in 24 minutes), with the longest track still under 3 minutes. The vocals are buried a bit, with the excellent guitar hooks up front. It’s moody but still hooky.

4. Phoenix – Alpha Zulu – I was prepared to like the new Phoenix record, because I always like the new Phoenix record. Every release since Wolfgang Amadeus Phoenix (2009) has been an automatic buy for me, but more than any of their other recent releases, Alpha Zulu really stuck. Thomas Mars’ vocals are always soothing and pleasing to me, no matter what he’s singing about, but this time it was some of the more melancholic songs that hit hardest. “Winter Solstice” is particularly lovely.

5. Nilüfer Yanya – Painless – Nilüfer Yanya appeared on my radar back in 2017 with her song “Baby Luv” and I have to admit that her 2019 debut album Miss Universe mostly passed me by. But on this year’s Painless, her completely unique combination of gorgeous vocals (sometimes sultry and sometimes chilly), innovative guitar playing, and vaguely electronic beats really hit for me. She obviously owns a few Radiohead records. The obvious hits for me are “stablise” and “the dealer,” but after watching this incredible From The Basement performance, I’m ready to listen to the whole thing front to back again and again.

6. Onyon – Onyon – Onyon are from the same fertile Leipzig punk scene that gave us the excellent Maraudeur, and I was glad to discover them on Bandcamp through the excellent Flennen label. Onyon play fast and catchy songs that wouldn’t appear out of place on a compilation with bands like the Au Pairs or Delta 5.

7. *Motherhood – Winded – I can’t recall how I discovered Motherhood, a veteran trio from tiny Fredericton, New Brunswick, but they put on one of the tightest live shows I saw in 2022, in front of a pitifully small crowd. I was visibly angry when I caught vocalist/guitarist Brydon Crain smoking outside after the gig. “You guys should be playing to crowds ten times bigger,” I raged. Brydon thanked me with a wistful smile that showed that perhaps he thought so, too. They’ve been releasing music since 2013, and relentlessly touring even the smallest towns in Canada and the Northeast US, and I sincerely hope that more people get to hear them. They describe themselves as an “avant-rock” band, and there’s also a bit of math rock, but with more warmth. Winded is simply a great and unique record, and I beg you to give it a listen. “Crawly I” is not a bad place to start.

8. *Alvvays – Blue Rev – I’ve been a huge fan of Alvvays since way back. I’ve seen them live a bunch of times and I’m delighted for their success. Each year since Antisocialites came out back in 2017, I’ve watched the skies for news of a new record, and so I was crazy excited to hear that they’d be releasing new music in 2022. So why isn’t this record higher in my list? I think it might be a few things. I’m not a huge fan of the production on the record, which sounds muddy to me, with Molly Rankin’s vocals buried beneath layers of sludge. I also think that their records tend to need time for me to digest them and begin to distinguish between the songs. This came out in October, which is fairly late in the year. Check with me again in May or June and I’m sure this will have climbed a few places. I’m just glad to have more music from one of Canada’s finest working bands.

9. Horsegirl – Versions of Modern Performance – Definitely one of the buzziest bands on the list, Chicago’s Horsegirl drew attention as much for their youth (the members were just finishing high school while making this record) as for their music. Clearly showing their influences (one critic said, not in a negative way, that they combined the best bits of shoegaze, C86, jangle, grunge and alt-rock), the trio transcend the nostalgia with the force of their youthful enthusiasm. I can’t wait to see where they go from here.

10. *Tallies – Patina – Ah, the difficult tenth spot on a Top Ten list. I chose Tallies over Suede for several reasons. Suede made a fantastic late career record, but they’re seasoned professionals and their record got more than ample attention. I chose Tallies because, partially, they’re another Toronto band of whom I can be proud. Although they’re mining the same dream pop territory as many other bands, there is a real warmth to singer Sarah Cogan’s moody vocals. Yes, they’re reminiscent of bands like The Sundays and Tamaryn, but that’s a wonderful thing; at least I think so. They’re signed to Bella Union, a label run by former Cocteau Twins‘ bassist Simon Raymonde, so I’m not the only one.

No Frills - Downward Dog
Self Improvement - Visible Damage Green/Blue - Paper Thin
Phoenix - Alpha Zulu Nilüfer Yanya - Painless Onyon - Onyon
Motherhood - Winded Alvvays - Blue Rev Horsegirl - Versions of Modern Performance Tallies - Patina

Once again, and with a tinge of regret, I really went hard trying to listen to a lot of new music in 2022, though of course nobody can listen to it all. Here are the rest of my ranked picks, although the rankings are very loose. I’ve also listed a couple of unranked releases, which I just haven’t had the time to listen to enough to form a strong opinion yet. They are ALL worthy of your attention. As in the Top Ten above, Canadian bands get an asterisk.

Suede – Autofiction
*Heaven for Real – Energy Bar
Delivery – Forever Giving Handshakes
*Kiwi Jr. – Chopper
Ex-Vöid – Bigger Than Before
The Beths – Expert in a Dying Field
Metronomy – Small World
Beach House – Once Twice Melody
Cate Le Bon – Pompeii
*Young Guv – GUV III/GUV IV
*The Weeknd – FM Dawn
String Machine – Hallelujah Hell Yeah
The Smile – A Light for Attracting Attention
Mo Troper – MTV
Lassie – Behold
Just Mustard – Heart Under
The Soundcarriers – Wilds
Yard Act – The Overload
The Reds, Pinks, and Purples – Summer at Land’s End
Lawn – Bigger Sprout
Launder – Happening
Vision 3D – Hypnose
MJ Lenderman – Boat Songs
Bartees Strange – Farm to Table
Blushing – Possessions
Spoon – Lucifer on the Sofa
Smirk – Material
CLASS – Epoca de Los Vaqueros
Mick Trouble – It’s Mick Trouble’s Second LP
Johnny Marr – Fever Dreams, Pts. 1-4

Unranked for now

Spread Joy – II
*The Weather Station – How Is It That I Should Look at the Stars?
Sharon Van Etten – We’ve Been Going About This All Wrong
Wilco – Cruel Country
Papé Nziengui – Kadi Yombo
Freak Genes – Hologram
The Orchids – Dreaming Kind
Dot Dash – Madman in the Rain
The Boys with the Perpetual Nervousness – The Third Wave Of…
KT Tunstall – NUT
Glaas – Qualm
Mitraille – Mitraille
*Bliss Fields – Slowly, Forever
Crime of Passing – Crime of Passing
Kindsight – Swedish Punk
Syndrome 81 – Prisons Imaginaires
Kpax! – Kpax!
Pale Blue Eyes – Souvenir
Die Verlierer – Die Verlierer

EEPEES

Public Body – Flavour of Labour (EP)
Khruangbin and Leon Bridges – Texas Moon (EP)
*Rapport – Floating Through the Wonderwave (EP)
*Rare Spam – EP (EP)
Arny Margret – intertwined (EP)
Fugitive – Maniac (EP)
Trauma Ray – Transmissions (EP)
Mo Dotti – Guided Imagery (EP)
*Private Lives – Private Lives (EP)
Lifeguard – Crowd Can Talk (EP)
*Coins Parallèles – Démo (EP)
Rouge – Rouge (EP)
Clear Capsule – Gravity Licker
His Lordship – His Lordship Play Rock ‘n’ Roll Volume 1

Best 2021 Albums Discovered in 2022

Snapped Ankles – Forest of Your Problems
Nation of Language – A Way Forward
feeble little horse – Hayday

As always, music helped me through this year’s highs and lows, reinforcing my belief that music is as essential to my life as food, oxygen, and love.

Just for fun, here are some of my previous lists:

How about you? What were some of your favourites?

Best Music of 2021

UPDATE: I’ve posted TWO DJ sets where I played 81 songs from my best of 2021, some of which are not mentioned in the post below. Check them out!

2021 was quite a year for music, and in general. The sun came out a bit with COVID vaccines but here we are again on the brink of another lockdown. The conditions were perhaps perfect for an outburst of creativity and I found it very hard to rank stuff this year. So my Top Ten is here again, but with a longer list of (loosely) ranked releases and some that I haven’t had enough time to sit with to rank but which are definitely worthy.

Big love to Feel It Records, out of Richmond, Virginia, which put out last year’s top record (Sweeping Promises – Hunger For A Way Out), and which did the same this year, as well as adding a bunch of new bands to my list for very reasonable prices on Bandcamp.

I hope my post will point you in some new directions, and bring you some of the joy that music brings to me. Hopefully next year we can return (again!) to seeing music in a live setting. Here’s a YouTube playlist with a whole bunch of songs from this year’s batch.

I found my top three picks switching places a lot, and as usual, some late entries tried (and in some cases, succeeded) to crash the top ten. Here we go…

Smirk – LP & EP – Smirk is the project of Nick Vicario, who has been in a million punk bands, including The Diskords, Autistic Youth and Public Eye. Smirk released an LP (called LP) and an EP (called EP) in 2021 totalling 19 songs and 45 minutes of music. I’m giving them top spot based on both records, in which every single song does something amazing. It’s post-punk and not completely original, but there is definitely something hooky and quirky and fun about this music. The sense of humour is what sets it apart from a lot of retro-sounding bands these days. Perhaps it’s not “serious” enough for some, but this year, I found myself returning to songs like “Staring at Screens” and “So Original” again and again. Devo is definitely an influence. Check out this live performance video:

Pigeon – Deny All Knowledge of Complicity – Pigeon is a band from Berlin that shares some members with Liiek, another recent favourite. This is definitely a bit more serious than Smirk, with righteous anger to spare. Great riffs anchor songs like “Bad Visions” and the vocals are suitably intense. With song titles like “Relentless,” “Narrow-Mindedness,” and “Refuse to Obey,” it’s clear how the members of Pigeon are feeling these days. I should mention that Liiek also put out a new record in December, and first listens are promising, but it’s just too soon to know if it will surpass the gut punch of Pigeon. (Vocalist Denes Bieberich is particularly prolific, also releasing music in 2021 under the names Dee Bee Rich and Bredouille).

Dummy – Mandatory Enjoyment – For some reason I thought Dummy was a straight up punk band, so I guess I’m the dummy here. When I found out they were more like the children of Broadcast, I became a lot more excited. It’s also clear that Dummy have spent a lot of time with 70s Krautrock, an emerging trend among modern bands that pleases me. This is spacey, timeless music with lots of layers, but it also bounces along like good pop music. I’m pretty surprised this is a debut album, to be honest.

Quivers – Golden Doubt – A pretty late entry, since I only discovered this band and record in December, but from the first notes, I found this settling nicely into my favourites. Quivers were formed in Hobart, Tasmania, and are now based in Melbourne. Last year, they released a full album cover of R.E.M.‘s Out of Time, and their jangly influences also include bands like The Go-Betweens. It’s a rare album that I can put on and not be tempted to skip any tracks. Clever lyrics and sing-a-long choruses add to its charm.

*The Weather Station – Ignorance – I bought this in November, listened to it once, and then on a whim, bought tickets to see this hometown (Toronto) band, led by Tamara Lindeman, at the Danforth Music Hall near where I live. Seeing the songs performed live really blew this open for me. Lindeman’s voice is pure but not always warm or sweet. She reminds me of Laurie Anderson crossed with Joni Mitchell. In any case, it was a fantastic show, the first I’d been to in nearly two years, and it really made this album special for me.

Leon Bridges – Gold-Diggers Sound – I’ve enjoyed following Leon Bridges‘ career path, from a very convincing retro-R&B singer to something more original. In particular, the song “Why Don’t You Touch Me?” reduces me to tears nearly every time I hear it. There’s something so vulnerable about a man singing about his partner’s loss of desire for him. Bridges has a honey-soaked voice, but he’s also exploring interesting lyrical territory. His songs are about seduction and falling in love, but also about the aftermath. I’ve also always enjoyed the videos he’s created for his songs. Check out the two(!) videos for “Why Don’t You Touch Me?” as well as the one for “Motorbike.” They’re excellent.

*Mustafa – When Smoke Rises – Born and raised in Toronto, Mustafa Ahmed began his performing career as a poet, and even went by the name “Mustafa the Poet” for a while. He was affiliated with the hiphop collective Halal Gang, and wrote a song for The Weeknd, too. But his debut recording as himself is a grief soaked lament for lost friends, including his childhood friend Smoke Dawg, who was shot and killed in 2018. Unlike his friends in Halal Gang, Mustafa’s influences are more folky, and his voice is unique and hushed. The whole record is filled with love songs for his friends, which is an unusual and beautiful thing.

Beige Banquet – Beta & S/T – Another LP/EP combo entry. Beige Banquet is the brainchild of London guitarist/vocalist Tom Brierley, and it shares the quirky humour of Smirk and a few other bands I enjoyed this year. It can be a bit samey after a while, but I do like the robotic percussion a lot.

The Reds, Pinks, and Purples – Uncommon Weather – San Francisco’s Glenn Donaldson is a veteran of many bands, but beginning with 2019’s release Anxiety Art, his latest project as The Reds, Pinks and Purples has struck gold with its vaguely Anglophilic songs filled with jangly guitars. He’s seemingly hit a rich vein, too, with numerous single releases in 2020 and 2021, and another album on the way early in 2022.

*Ducks Ltd. – Modern Fiction – Another band that’s mining the jangle sound is Toronto’s own Ducks Ltd., a duo made up of Tom McGreevy and Australian ex-pat Evan Lewis. This is unfussy guitar-based music that sounds effortless, but which has lots of small touches that make the songs so memorable. These guys have me excited that I’ll (hopefully very soon!) have another local favourite that I can see live more than once every few years.

Smirk - LP & EP
Pigeon - Deny All Knowledge of Complicity Dummy - Mandatory Enjoyment
Quivers - Golden Doubt The Weather Station - Ignorance Leon Bridges - Gold-Diggers Sound
Mustafa - When Smoke Rises Beige Banquet - Beta & S/T The Reds, Pinks & Purples - Uncommon Weather Ducks Ltd. - Modern Fiction

I really went hard trying to listen to a lot of new music in 2021, though of course nobody can listen to it all. Here are the rest of my ranked picks, although the rankings are very loose. I’ve also listed a couple of unranked releases, which I just haven’t had the time to listen to enough to form a strong opinion yet. They are ALL worthy of your attention. As in the Top Ten above, Canadian bands get an asterisk.

Spread Joy – Spread Joy
Turnstile – Glow On
Massage – Still Life
Kevin Nichols – Disappointer
Telethon – Swim Out Past The Breakers
Maraudeur – Puissance 4
Desacatyl – License to Dive
Spllit – Sides
Remember Sports – Like A Stone
Mo Troper – Dilettante
The Boys With The Perpetual Nervousness – Songs from Another Life
Adult Books – Grecian Urn
Teenage Fanclub – Endless Arcade
*Daniel Romano – Kissing The Foe
Julien Baker – Little Oblivions
Kaidi Tatham – An Insight To All Minds
Riki – Gold
Chime School – Chime School
The Altered Hours – Convertible
The Telephone Numbers – The Ballad of Doug
Tribulation – Where the Gloom Becomes Sound
Sault – NINE
Mdou Moctar – Afrique Victime
Black Marble – Fast Idol
Liiek – Deep Pore
Nanny – Can’t Remember, Can’t Forget
LAPÊCHE – Blood in the Water
Weakened Friends – Quitter
Comfy – Volume For
The Umbrellas – The Umbrellas
International Badboys Inc. – enjoy your stay,
The Goon Sax – Mirror II
Waste Man – One Day It’ll All Be You
Silicone Prairie – My Life on the Silicone Prairie
Klapper – Klapper
Home Is Where – i became birds
Kraus – View No Country
Why Bother? – A Year of Mutations
Songs for Snakes – Forced Pleasantries
Flyying Colours – Fantasy Country
At the Gates – The Nightmare of Being

Unranked for now

Elbow – Flying Dream 1
Pickled Darling – Cosmonaut

EEPEES

Unschooling – Random Acts of Total Control (EP)
Smirk – EP (EP)
Beige Banquet – Beige Banquet (EP)
Yard Act – Dark Days (EP)
SHYNESS – Initial Ideas (EP)
Camp Trash – Downtiming (EP)
Massage – Lane Lines (EP)
*The Great Octopus – Deadly Eyes (EP)
*Gemstones – Nevermind (EP)
*Gemstones – Paranoid Amp (EP)
Real Numbers – Brighter Then (EP)
Dee Bee Rich – 4 (EP)

Best 2020 Albums Discovered in 2021

Deep Sea Diver – Impossible Weight
bdrmm – Bedroom
*Sarah Harmer – Are You Gone

Even more than usual, music helped me through this year’s highs and lows, reinforcing my belief that music is as essential to my life as food, oxygen, and love.

Just for fun, here are some of my previous lists:

How about you? What were some of your favourites?

Best Music of 2020

UPDATE: I’ve posted a DJ set where I played 39 songs from my best of 2020, some of which are not mentioned in the post below. Check it out!

Well, what a year. I’m sure I’m not the only one who is glad to see the back of 2020. During the long months of the pandemic, feeling isolated both physically and socially from friends and family, I turned to music even more than usual. Strangely, there were long periods when I didn’t (couldn’t?) listen to music, maybe because I missed hearing and seeing it live so much, but sure enough, as December came around, I found myself seeking out more stuff that was released this year and, perhaps surprisingly, there was a lot! Although I’m sure some musicians found themselves drained of inspiration, others took up the mantle and worked prodigiously. Welland, Ontario’s own Daniel Romano, with whom I’d been unfamiliar until this year, released TEN things this year, from a cover album of Bob Dylan’s Infidels to a live album to several new albums of material with his usual band, to collaborations with others. I’ve only listened to about half of this material, and so far it’s all excellent. Despite that, he doesn’t even make an appearance on my Top Ten. What can I say? It was a very strong year. (But you should immediately go and buy “Visions of the Higher Dream”, for a start.)

I hope my post will point you in some new directions, and bring you some of the joy that music brings to me. Hopefully next year we can return to seeing music in a live setting.

I was surprised that my top pick pushed its way to the top so late in the year. I only discovered Boston duo Sweeping Promises in December, and yet their debut record played on repeat in my earbuds from the first time I listened to it. 10 songs in just 28 minutes tells you that these are punchy postpunk earworms, with catchy riffs that remind me of everyone from Devo to UK singles bands like The Flatmates and The Shop Assistants.

I have to be honest. For much of the year, New Zealand’s delightful The Beths were occupying top spot. Their second album, Jump Rope Gazers, came out in July, and I discovered it and them at the same time, also getting to enjoy 2018’s Future Me Hates Me at the same time. In a year where Toronto’s Alvvays didn’t put out a record, The Beths filled that place easily. (P.S. I hope I’ve got something from Alvvays to talk about in 2021!).

I was surprised to see a new record from The Strokes and even more surprised how much I loved it. It came out way back in April and its title The New Abnormal seemed eerily prescient. It’s perfect for these strange times, and the record was very strong, considering it’s the first new material from the band in seven years.

I’d been hearing about Jason Isbell for a few years, and I knew that he played on the excellent record by The Highwomen last year; no surprise, since he’s married to Amanda Shires, one of the group’s members. Reunions is his fourth record with his band the 400 Unit. Prior to that he was a member of Drive-By Truckers. Isbell is an excellent songwriter who also possesses a really pleasant voice. I don’t mean that in a “faint praise” way. He really is lovely to listen to, and this record has some very strong and memorable songs, which touch on issues of political and personal responsibility. The video for his song “Only Children” is quite beautiful, too.

Liiek are a postpunk band from Berlin whom I first stumbled across on a free Bandcamp sampler. I’m glad I tracked them down, because every song on their self-titled debut release is great. So is their 7″ single. I believe they’re available for whatever you want to pay. I look forward to hearing more from them.

I had anticipated a new record from Phoebe Bridgers for quite a while, and Punisher did not disappoint. When I first saw her live, opening for Julien Baker in 2017, I knew that she was bound to break out sooner or later, and this year, she’s been everywhere, even as we’ve all been mostly at home. She claims to be an introvert, and this year, introverts have maybe been able to cope better than most. Bridgers’ music has certainly helped.

I’m not sure how I found Crack Cloud, but I’m sure glad I did. A Vancouver-based collective that apparently formed to help its members maintain their sobriety, the project has an infectious energy that reminds me of large-band version of Talking Heads. I’m looking forward to digging into their earlier material.

Back in late 2016, I was living in Dublin for a film festival contract job, and one of my first outings was to see one of my favourite bands, Teenage Fanclub. Opening the show was a singer-songwriter from Belfast called Malojian (real name Stevie Scullion). Fast forward a few years and he’s put out an amazing record called HUMM, collaborating closely (over the Internet, of course) with Jason Lytle (formerly of Grandaddy). The result is a perfect tonic for this miserable year, including the stunning album closer “The Singularity” which asks the listener “Is there anyone here who can heal the trembling of my heart?”

Sault came out of nowhere this year (well, okay, they came out of the UK) with not one but two strong albums of empowering r&b/hiphop/funk promoting black pride. They’re a semi-anonymous outfit who first emerged in 2019 with two albums entitled 5 and 7. This year’s are Untitled (Rise) and Untitled (Black Is). Both are worthwhile, though I’ve spent more time with Black Is. Music this timely is refreshing, especially when it spans so many styles so effortlessly. Despite heavy themes, it will lift you up.

Close Lobsters last released a record in 1988, so it was a complete surprise for me to encounter new material from them in 2020. Released at the end of February, the horribly-titled Post Neo Anti: Arte Povera In the Forest Of Symbols actually picks up right where the band left off, making intelligent and hook-filled music (start with “All Compasses Go Wild”) that should by all rights gain them some new fans. But that title. And don’t even get me started on the terrible album artwork.

I have to end this post by telling you how much I’ve grown to love Bandcamp. Not only do they give more back to the artist than nearly any other platform, I also love the simplicity of the design, and the fact that artists have control over pricing, as well as what songs are available to preview. I’ve found many of my favourites just from bouncing around on Bandcamp. They also have been doing monthly Bandcamp Fridays where they give up their own cut of the fees and the artists are free to keep that portion themselves or to donate to worthy causes. It’s an excellent initiative, and I feel good spending my money there.

Even more than usual, music helped me through this year’s highs and lows, reinforcing my belief that music is as essential to my life as food, oxygen, and love.

Sweeping Promises - Hunger for a Way Out The Beths - Jump Rope Gazers The Strokes - The New Abnormal Jason Isbell and the 400 Unit - Reunions Liiek - Liiek Phoebe Bridgers - Punisher Crack Cloud - Pain Olympics Malojian - HUMM Sault - Untitled (Black Is) Close Lobsters - Post Neo Anti: Arte Povera in the Forest of Symbols